With Crime and Dissonance, Patton's own Ipecac Recordings present thirty songs over a two-disc set that highlights Morricone's works from the late sixties through the mid-70s.

The selections on Crime and Dissonance were hand picked by Morricone expert Alan Bishop, chosen for their rarity and musicianship.

From John Zorn's liner notes; "In Crime and Dissonance, Mike Patton has pulled together a rare collection of Morricone tracks that reflect his connection to the Maestro via a shared passion and commitment to the extreme and the experimental. Psychedelic Sitars, heavy breathing, screams, screeches, electric guitar feedback... much of Morricone's language here keenly intersects with the abstract metal soundscapes of Patton's own music giving us fresh insights into their deeply powerful and uncompromising aesthetics. Both artists have straddled the pop and experimental worlds throughout their careers, creating a body of work that is honest, authentic, meticulously crafted, imaginative and cathartic. Both artists have also suffered from a measure of misunderstanding. But the music lives on. Like all great music the bizarre miniatures that comprise this remarkable set are still as fresh as the day they were recorded (some thirty to forty years ago) and now through the generosity and vision of a youthful and committed contemporary music master, they reach a new generation of ears to inspire even newer vistas of creativity. It is the responsibility of the few to carry the torch of truth and integrity through the dark ages we find ourselves in and this heroic set of soundtrack rarities shows us that the spirit of freedom is, has been and always will be alive and well. One only has to look for it."

Packaging & Liner Notes
Unknown.